The sorry state of streaming residuals shows why SAG and the WGA are striking.

  • Pheonixdown
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    1 year ago

    It’s risk mitigation, creatives get less upfront, which lets the thing get made for less, so the people paying upfront risk less money on the unknown and are therefore more willing to fund less reliable products. But if it turns out to be a hit, then everyone gets paid more accordingly. It’s kind of like companies paying stock.