A conversation popped up on another platform about the role of AI in music production, generally as its used in the mastering process. Now I’m not sure how much AI that actually involves and see it more as a set of rules that will map your song or music to a contemporary ‘good mix’… basically control the EQ, RMS peak and LUFS. Things like this are becoming more and more prominent on music histinf sites.

I do use AI in some processing as I use software like Steinberg’s SpectraLayers to ‘un-layer’ and un-mix tonal qualities, and so on but I don’t use it in mastering. I do that the old fashioned way.

Your thoughts…? Yay or nay…?

  • ᗝᑎᗴ ᗷᒪᎥᑎᗪ ᗰꖏᑌᔕᗴ@lemmy.worldOP
    2·
    7 months ago

    I don’t work in a typical or mainstream genre either. My own mixing methods are unorthodox and I generally master ‘un-loud’ so things like Ozone wouldn’t help me anyway. Guides to me are still reference tracks but yes, I see them as helping a great deal in some production for some people.

    • Holyhandgrenade@lemmy.world
      1·
      7 months ago

      In Ozone you can actually load a reference track and it does some adjustments that nudge it in the right direction. I often use that feature to see what I can fix in the mix.

      • ᗝᑎᗴ ᗷᒪᎥᑎᗪ ᗰꖏᑌᔕᗴ@lemmy.worldOP
        2·
        7 months ago

        Yeah, I guess that’s a useful ,thing to have. It seems that not many people even use a reference track these days for their mix. I do still use them and when I’m mixing for other people ask them if they have one… just to get an idea of what they’re looking for. If Ozone works, it has to be a good thing. I just don’t trust it, to be honest.