Elysium hits all the themes of a cyberpunk movie. It has high-tech low-lifes, it has corporations in total control, it has a massive inequality gap, it has technology leading to dehumanization. But what it doesn’t have, is neon-lit rainy streets at night.

Cyberpunk as a genre has themes that don’t rely on visuals and yet so many cyberpunk stories use the 80s aesthetic as a short-hand for “cyberpunk”. I think this makes the cyberpunk “look” feel dated even though its themes aren’t actually stuck in the 80s.

This video does a great job of breaking down where cyberpunk came from. It was a product of the 1980s. Specifically (in America), the cultural fears of rising crime rates, removing regulations on corporations, and the rising influence of Japan. These were things people worried about in the 1980s and cyberpunk was able to tap into those fears by taking them to the extreme. And while some of those fears were well-founded (removing regulations on corporations), not all aspects of them remained timeless.

Elysium replaces the cultural fears of the 1980s with the cultural fears of the 2010s. Climate change, access to health care, increasing wealth gap. These things are now taken to the extreme while still following the cyberpunk template. I wish more stories were able to separate the 1980s aesthetic from the themes of cyberpunk. The themes of the genre are still relevant today even if the “look” has become dated.

If you haven’t seen it, here’s a trailer. And it’s currently streaming on Netflix.

  • requiem@lemmy.world
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    10 months ago

    Have you seen any of the new The Peripheral series? It’s a great adaptation of the Gibson novel and again, not at all 80’s.

    • Hammerjack@lemmy.zipOPM
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      10 months ago

      Yes, I’m still disappointed they cancelled it after one season. Apparently it got renewed for a second season but then they changed their mind and cancelled it before it started filming.

      I agree though, the updated take on cyberpunk with ubiquitous 3d printing set in a rural area was a great idea. Also, I liked how the “apocalypse” in the future was no single event but just a slow march of bad things one after another. Gibson always has great ideas.

      • hydroptic@sopuli.xyz
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        10 months ago

        Peripheral got canceled? Motherfuckers, what the fuck is it with streaming services pulling this with every single show that isn’t a huge pile of shit?

        • misanthropy
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          10 months ago

          I only started watching it because s2 was confirmed. Then, when I was nearly finished with it, they lol jk’d everyone and cancelled it.

          I literally cancelled my prime over it, they had the gall the end it on a cliffhanger.

          I think that’s the worst thing about the modern cancel a show after one or two good seasons trend; that it’s accompanied by the inability for writers to tell a complete story. Always gotta leave it on a cliffhanger.

          • hydroptic@sopuli.xyz
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            10 months ago

            I’ve canceled all my streaming services except Apple TV (so far…) Nearly everything I actually liked got pulled after at best 2 seasons, and they’ve all hiked prices because apparently executives felt they weren’t getting paid enough. HBO was the last to go after they axed Our Flag Means Death.

            Apple’s still getting my money because For All Mankind has had a great run, Ted Lasso was great, Foundation has been decent although different from the books, Silo hasn’t gotten canceled yet, and now there’s that new WW II bomber series that’s seemed pretty good based on a couple of episodes. They did axe Hello Tomorrow! which I liked although apparently people mostly didn’t, and so far that’s the only show I’ve liked that they’ve killed off prematurely.

            • misanthropy
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              10 months ago

              Join us in Homelab. Jellyfin + the *darrs.

              I’ll never pay a subscription ever again for streaming, they had their chance… things are worse than cable was