• casmael
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    10 months ago

    Wow that perspective is pretty cool especially for mid 16th century not bad not bad

    • craftyindividualOPM
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      10 months ago

      Yeah I found it compelling, I’m not sure where Icarus is in the frame. It’s also a lot less crowded than most of Brughels work.

      • damienr@ani.social
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        10 months ago

        You can see his legs below the boat as he falls into the water. Love reading this whenever I see this painting.

        Musee des Beaux Arts W. H. Auden

        *About suffering they were never wrong, The old Masters: how well they understood Its human position: how it takes place While someone else is eating or opening a window or just walking dully along; How, when the aged are reverently, passionately waiting For the miraculous birth, there always must be Children who did not specially want it to happen, skating On a pond at the edge of the wood: They never forgot That even the dreadful martyrdom must run its course Anyhow in a corner, some untidy spot Where the dogs go on with their doggy life and the torturer’s horse Scratches its innocent behind on a tree.

        In Breughel’s Icarus, for instance: how everything turns away Quite leisurely from the disaster; the ploughman may Have heard the splash, the forsaken cry, But for him it was not an important failure; the sun shone As it had to on the white legs disappearing into the green Water, and the expensive delicate ship that must have seen Something amazing, a boy falling out of the sky, Had somewhere to get to and sailed calmly on.*

        • craftyindividualOPM
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          10 months ago

          You can see his legs below the boat as he falls into the water. Aha! Now I see it.