One of the first protest paintings.
The Third of May 1808, oil painting by Spanish artist Francisco Goya that was completed in 1814. It evokes the horrors of war with great emotional force and is stylistically revolutionary.
On March 17, 1808, the Revolt of Aranjuez ended the reign of King Charles IV of Spain and his wife, María Luisa, the royal patrons of Goya. Charles’s son, Ferdinand VII, was made king. Taking advantage of the factionalism of the Spanish royal family and government, Napoleon moved in and eventually gained power. The Third of May 1808 portrays the execution of the Spanish insurgents by French troops near Príncipe Pío Hill in Madrid. Napoleon’s brother, Joseph Bonaparte, took the crown, and the French occupation of Spain lasted until 1813.
It is unclear what Goya’s political leanings were but he spent most of the occupation recording the atrocities of war. His acclaimed print series The Disasters of War included perhaps the most poignant and unadulterated images of war that Europe had ever seen. The prints were etched from red chalk drawings, and the artist’s innovative use of captioning recorded a blunt commentary of the brutality of war.
The Third of May 1808 is Goya’s most unapologetic piece of propaganda. Painted once Ferdinand had been restored to the throne, it champions the patriotism of the Spaniards. The central figure is a martyr: he assumes a Christlike pose revealing stigmata on his palms. The Spaniards are shown as human, colourful, and individual; the French inhuman, faceless, and uniform. The image remains one of the most iconic visions of militaristic violence in art, together with Édouard Manet’s The Execution of Maximilian (1867–68) and Picasso’s Guernica (1937).
Stigmata, I never even looked until you mentioned it.
