Interesting tidbit. Thanks for sharing.

Not to mention that A G E spells “age,” and we’re talking about babies.

Vocal damage.

Not menacing but I will gladly accept it.

Another winner.

Winner.

You didn’t specify the artist.

Does that work?

What is the benefit of this tuning?

What’s your favorite Beach Boys progression?

It’s hard to tell.

https://youtu.be/nGbWU8S3vzs?si=E3fax9eXioDF-OTm Can you timestamp it?

Is this a goodbye?

Fair.

She was a Christian artist?

No problem.

Thanks. Welcome to my community.

G: G B D D#maj7: D# G A# D A#: A# D F D7: D F# A C

None of these chords share a key, since G Major only has an F# and not a D# or an A# (the last of which would be written as Bb in a minor key.) However, I see a few trails that keep the progression solid: 1: G > G > F > F > then it loops; it’s a climb from the b7 to the subtonic to the tonic in a satisfying resolution 2: G > D > D > D… a simple I V I loop 3: D is an ostinato and since it is the V it keeps you in suspense, but also the D > D# > D > C dances around that to make it interesting 4: B > A# > A# > A… between the third and the ninth almost like a I V I 5: This is in no particular key, but jumping from G to D is boring, so they added tension with the bVI which invokes a spacey or nostalgic feeling, at least for my ears; also, A# to D# is a fourth like D to G so it doesn’t sound super jarring.

I hope that makes sense.

Edit: The shakiness can be derived from the unstable key center, to allude to the track title. The lyrics depict a character who has just gone through a breakup I presume, so they feel “blue” like a blue note doesn’t fit in the key.

Asus2 is A B E which rearranged is A E B going around the circle of fifths. That may be why.

I’m glad that you enjoyed it.