These sequences come from early in the sixth album, Asterix and Cleopatra by René Goscinny & Albert Uderzo.

BACKSTORY: Caesar tells Cleopatra that he doesn’t think much of ‘modern’ Egypt, claiming that all the great works were built during ancient Egypt’s heyday, thousands of years before. Which was in fact true, as Cleopatra herself was part of a recent dynasty of Greek conquerors. Nevertheless, she’s mortally offended on behalf of herself and her nation, and vows to build a great palace to Caesar in a mere three months’ time(!)

Haha, I love the wittiness of that right panel above, which reminds me of classic Shaw Bros Kung Fu films. I mean the unintentional hilarity of choppy dubbing, that is.

Such a great premise for a classic adventure, no?

I always appreciated the transition from the queen’s palace set in the baking sands of Egypt all the way to the rustic little village in wintertime. Somehow it satisfies the eyes and the soul, both. And for the sharp-eyed, the little dog that tagged along in the last adventure (Banquet) pops up again just above, altho isn’t named just yet.

Hats-off to the momentum-building! Indeed, Goscinny & Uderzo are one of the great writer-artist teams in comics at the tip-top of their game, here. But let’s also not forget translators Bell & Hockridge, who routinely did an astonishing job of preserving the cleverness of the original French, even when it was pretty much impossible to convey the nuance or cultural references.

EDIT: One last thing I want to add is that the leading panel is actually pretty small on the total page, and after a modest 160% upscale and 125% width-increase, still works beautifully as stand-alone art. A real tribute to Uderzo’s attention to detail and composition skills, I think.