Hey folks-- I’m not feeling too well these days, so I wanted to release some of my notes & scans, just in case.
In this case, there was a fully-constructed page from Tintin and the Picaros, but it got cut for space considerations, as sometimes happens. What’s particularly amazing in this case is that George Remi himself (Hergé), took the interviewer step-by-step through the process, in a commentary / supplementary book “Musée.”
So I’ve been working on notes & translations from that book, and it’s indeed pretty fascinating, but life is life. Let me just give you the full scans, if you’re interested:
Fascinating to see the creation process behind the art!