It’s… not? Thought it was a google maps reference of a design they want to implement in the game.
It’s… not? Thought it was a google maps reference of a design they want to implement in the game.
Praying for Armageddon is a really good documentary about this very thing.
What’s the biggest hurdle with moving there?
I got started with some YT tuts on getting it setup and have been running it for the past day. I’m starting by cloning my main Pro Tools template into Reaper and so far… holy shit.
I can honestly say that I’ve slept on this DAW and understand why it has the following and support it does. I can make it my DAW. I have the chance to work on a new project with it today so let’s see how that goes.
Seconded. Been using it since early summer and it’s been great having instant access to bias and credibility data. Its also been nice to be able to easily read other perspectives on the same topic.
Satoshi is an anagram of Trumps full name.
I believe Ardour is FOSS. I know a couple Linux guys that use it religiously and seem to have good results.
This is pretty much my same preferences too. I’ll always need Pro Tools because of my mixing clients tracking in PT and wanting to keep everything there. I use Ableton for production, live looping, and experimental stuff using it together with TouchDesigner.
I think that big goofy ass hat throws the perspective off.
I tried reaper years ago when it was still in its infancy. Maybe I need to try it again.
I suggest you first think about what your sources are? What microphones? Does it match the voice? How’s the proximity? How does the room sound? Can you hear the room? Not saying this is your case and it sounds harsher than what it means, but the old saying of “shit in, shit out” is always a good place to start. Check your sources.
It also sounds like compression might be needed on the vocal to level it. That way, whether you duck the BG music to the vocal, or have just vocals alone, things are even. EQ also plays a part in where stuff fits in the whole spectrum of sound.
Keep in mind that if the dynamics and equalization is off on each individual track, it’s trickier to balance stuff out bc it’s kinda untamed.
This definitely works for electric guitar too. Especially if both tracks have different takes.
A community I can actually help with some solid info! I have a few mixing/production tricks I’ll list out future posts for.
I thought this was stitched on first glance. Amazing texture on the light.
The singing kind. Btw, did you know that when it snows my eyes become large and the light that you shine can’t be seen?
The lovely Green Language. Stories and sights from afar can reach one fast if you know who to ask.
It’s like a blend of that and Roger from Doug.
Ah true, good point.
While a VPS to run a server for their instance isn’t expensive by any means, I wonder what the price of having someone operate it is inflating the actual costs. Is it possible that they’re contracting out the development work and are being overcharged, leading to their view that it’s not worth the outreach they’re getting?
I agree that providing whatever forms of communication possible is the best way to go. But the decision might not be as cut and dry as it looks on the surface. Or maybe it’s laziness? Who knows.